Mekong Hotel, Apichatpong Weerasethakul, 2012 By Roger Koza Apichatpong Weerasethakul has got us used to a mysterious world ruled by different signs, to a trance-like cinema with wondering specters, animals that communicate with us, men and women floating through existence without getting to know neither the ailments of the flesh nor the misfortunes of history. […]