By Roger Koza L’aquarium et la nation, Jean-Marie Straub, Suiza-Francia, 2015 Straub insists to mitigate triviality, which is always near cinema, although never near this filmmaker that now shoots, unwillingly, alone. The gullible and the impatient are exasperated. They shouldn’t, because the power of this new film is relentless: an idea, a form, and perhaps […]